• daq2@lemmy.world
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    1 year ago

    I think they did a better job than TOS did writing stories for the other crew members, but the last few TNG movies are basically the Picard and Data show

    • SSTF@lemmy.world
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      1 year ago

      There is a sharp divide between TNG and the TNG movies, in terms of quality and writing style.

      In TNG, Data is most heavily paired with Geordi. However, he is paired with other characters or has his own isolated adventures. Pretty much all the main cast characters get the same. The movies are more, let’s politely say “streamlined” in how they treat characterization.

    • circuitfarmer@lemmy.sdf.org
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      1 year ago

      I’ve always felt like the TOS movies were better than the TOS show, but the TNG show was better than the TNG movies.

      My reasoning is: the TOS campiness was great, but the 2-3-4 trilogy especially highlighted the strengths of the cast, and the slightly more militaristic Starfleet actually worked (and don’t even get me started on them red uniforms… Mm). STVI is likely the best political story in the entirety of the TOS canon.

      Meanwhile, TNG the show was tackling themes that TOS would have never touched. I suspect it actually may have a lot to do with the fact that the last few TOS movies and the TNG show were made at roughly the same time.

      • SSTF@lemmy.world
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        1 year ago

        The TOS movies seemed like labors of love. The TNG movies seemed like cashing in on a brand name.

        I don’t have specific examples on hand, but I do believe Patrick Stewart had a lot more clout and creative control in the TNG movies. Stewart seems like he’s got an ego, and doesn’t care about the integrity or legacy of Picard as a character beyond being a vehicle for Stewart to either do the acting he wants, regardless of its appropriateness to TNG, or as an excuse to drive dune buggies around for fun.

        • 1simpletailer@startrek.website
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          1 year ago

          Pretty much. Stewart’s career really took off post-tng and he would only come back for the films if they gave him more creative input. Same thing with the Picard Show. Look Patrick Stewart is an outstanding actor who has now demonstrated multiple times that he should never EVER be let near a writers room. Its theorized that why we didn’t have a veteran Trek writer for Nemesis, nobody could stand working with Patrick Stewart any more.

          There was also a lot of studio interference. That’s why we have Kirk in Generations, because the studio suits didn’t think a Star Trek movie could succeed without Captain Kirk. Suits also wanted each movie to have a Khan-esque villain, which they pretty much failed at every time.

    • cyd@lemmy.world
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      1 year ago

      Yeah, and the problem with the Picard and Data show is that those characters don’t really have a relationship, at least not an emotional connection like Kirk/Spock/McCoy. They basically just had a professional relationship, which was fine for the series where there’s a problem to be solved every episode, and it’s not necessary to have fleshed-out character arcs. But a movie narrative needs to make the audience care about the main characters and their interactions with each other, all within a very short period of time. Picard/Data simply could not provide that emotional core.