There’s room to split hairs over the first cartridge based console, or the first console with interchangeable games. But no matter what, the Channel F was designed by Mr. Lawson from first principles.
Mrs. Williams’ pet project series remains one of my favorite duologies in gaming - Laura Bow. If you say that she was the cofounder, you also have to point out that Ken & Roberta were a married couple, so no matter what she’d have been involved. It’s more about what she contributed to gaming and her skill with crafting coherent stories both AGI and SCI - and you can see that in KQ4, since it was released in both AGI and SCI!
I have to admit that I never got into the BioWare D&D games - my preference remained with Black Isle’s development (Planescape: Torment); but I respect others like them more than me.
The first person to put together principles on programming was a woman (Ada Lovelace). One of the most influential programming languages in the world, and the origin of the term ‘computer bug’, come from a woman (Captain Grace “Amazing Grace” Hopper). Women programmed the computers that put men on the moon and got them home safely. Dr. Ellis, a black man, was the first black person to get a Computer Science PhD, and (arguably) created the first known GUI.
These are all good people who made our lives better.
There are two kinds of wokeness I complain about:
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Hernia level virtue signaling - this is when a production company is straining super hard to make sure we know they’re the good guys, but the writers don’t have the brains to come up with interesting allegories, or even super-transparent ones like the half-black/half-white dudes in the TOS episode. All they can muster up is character dialog like, “Wow, look how backward this time period is! So much misogyny and discrimination!” Yeah duh, I live in this time period and I’m not stupid. (talking to you, Picard season 2)
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Misrepresenting the past - this is when they portray let’s say Victorian England or 1950s America as a fully integrated society where characters of all races mix freely, with equality at all levels. That’s not how it was, kids. The black housewife in 1953 Ohio would not have a white maid, although she might work part time as one in a white household. You don’t raise social consciousness by painting a fake picture of history to avoid upsetting your audience. That does no service to the people who still feel the effects of those times.
But oh right, I forgot, the point is profit not genuine social consciousness - sorry, my bad.
/edited for grammar
While I agree with your first point - corporate pseudo-progressivism is a stain - I don’t really think it’s fair to call it “woke”. In fact, it’s almost the opposite of what woke is supposed to mean. To be “woke” originally meant having “woken up” to the reality of systemic racism… Corpos thoughtlessly stuffing games/films with “diverse” casts are not really respecting that reality. It’s performative. There is an argument that it improved things for actors regardless, but I still don’t think it’s “woke”.
On your second point I have to slightly disagree. Taking Bridgerton as an example - set in something like Victorian England, but a racially diverse one. The Queen is black, there’s a black Duke. I think these things immediately set the story apart from real Victorian England. Ok, perhaps if you know nothing about history it might be confusing, but to me I see those things and immediately one of two things is true:
- We are suspending our disbelief. Just like the pantomime dame, within the world of the play, is a woman and not a man in costume, we can assume that we’re seeing black actors playing characters who would have really been white… Like Queen victoria.
- The world we see is not an accurate representation of history. In this world we might assume that slavery was abolished sooner, or never started, and black people moved not just into the lower but the higher echelons of British society.
Given that it’s fiction, I don’t mind either of these things. I think it’s nice for people who aren’t white to be able to imagine themselves in those stories, even if in the real history things would have been much different. Bridgerton isn’t trying to present a vision of real historical events, it’s primarily a romance. Just like mediaeval fantasy isn’t really medieval, Victorian romance doesn’t need to really be Victorian. We don’t need to see the systemic racism any more than we need to see the cholera or dropsy or whatever.
I will also just briefly shill for Taboo which I just finished - that’s a historical show which incorporates a “realistic” amount of diversity into it’s cast while maintaining (at least what appears to me) a level of historical accuracy. The story is fictional, although it appears around real events… But the world it presents feels genuine. Crucially by contrast to Bridgerton, slavery plays quite an important role in the story - so here it would feel absurd to have a black Queen or Duke.
Haven’t seen Taboo but Bridgerton is a fantasy alt world - it can have steam-powered computers for all I care. My objection is specifically about falsely portraying real eras for the sake of casting diversity, which I think is a disservice to people who were held down in those real eras.
Fair enough, I have seen the same arguments applied to it is why I used it as an example. I don’t know what shows you are thinking of, but are they misrepresenting things, or are they just using blind casting and asking you to suspend your disbelief? This is something we do without thinking when watching theatre, but it’s a bit more subtle when watching television or films because they go to lengths to make the environment feel more real.
Suspension of disbelief is great for science fiction and fantasy, but I don’t think it’s healthy to mask past realities. I don’t believe for one second anybody does “blind” casting - entertainment companies pander to what they think their audience’s main demographic wants, and they do extensive research to tell them what that is. They want to be on the audience’s side on every issue, support all the right things, criticize all the right things… there’s nothing blind or random about any of it.
Perhaps, or perhaps the casting team had other goals that aren’t so obvious. While it’s true there are purely capitalistic production firms, there are clearly things being made with artistic vision behind them, and sometimes that includes blind casting. Again, I suspect this is more prevalent in theatre, where audiences are more willing to accept, say, a woman playing King Lear, or black actors playing nobles in a historical setting. Because, on stage, you are already suspending lots of that disbelief - you’re not looking into a throne room, you’re looking at a stage - it’s easier to take it a step further.
But while less is asked of you when watching a historical drama on TV, you are nonetheless suspending your disbelief. You know really that cameras couldn’t have filmed this in the Victorian era, that’s not really Henry VIII, and Jesus wasn’t a white guy. The question is what makes it too jarring for you?
I noticed you’re quite focused on the production company’s intent behind the casting. Maybe it’s politically/philosophically motivated, maybe purely capitalist, or maybe artistic… But you can’t really know. And should it even matter to you as the viewer? I understand trying to unpick the artistic decisions behind a piece, but those of the production company? That doesn’t seem like something to bring into your viewing experience - just perhaps conversations like this one on the internet.
I’d invite you to try suspending your disbelief as you might when watching the Passion of the Christ, and see if you’re able to enjoy these films/shows despite the historical inaccuracies.
Okay here’s my background - I’ve been involved in over 20 stage productions as an actor, director, assistant director, designer, set builder, and various other tech positions. This doesn’t make me an expert but it means I’ve been there and done that. I’ve seen Midsummer Night’s Dream done with 1930s gangsters, an all-black MacBeth in Stratford, England, and I was stage manager for a Comedy of Errors in a Hollywood Squares style set with a cigarette-smoking nun playing a piano. I understand suspension of disbelief, so you don’t need invite me to try it like you’re talking a kid about broccoli.
Casting directors do not cast “blind” except background crowds, and even then the overall look and feel is as important as paint scheme and set decoration. I imagine this is even more true in television and movies, where there’s a lot more money at stake and a lot more people to please. They carefully control every element they can - if only because every person in those coveted positions is striving to prove how indispensible they are. Nothing is done at random except for occasional quick one-off decisions. I don’t object to comic anachronisms like throwing WWII German soldiers and Count Basie’s orchestra into Blazing Saddles. I’m talking about serious stories where everything seems to be meticulously recreated except the painful elements of society are being whitewashed for the sake of pleasing modern-day sensibilities.
Suspension of disbelief only has meaning for an audience that already has knowledge of the material, but today’s audiences generally know very little about history except what they see in movies and on TV. You probably aren’t even aware that about 1 out of 4 cowboys in the Old West era were black. Ranch work was something a lot of freed slaves took up after the Civil War. But having grown up with American movies and TV, my mental version of the Wild West is almost all-white - with the odd asian cook, or an occasional black dude sweeping up in a saloon. I bet yours is similar. That’s why I criticize the current trend of misrepresenting history as a carefully balanced well-integrated society. Whatever the reason, it’s just a different generation trying to please audiences. Like every generation the one currently doing most of the creative work in Hollywood thinks it’s more enlightened than every other one before it, which is another crock of shit. One delusion in the collective consciousness is no better than another.
You took the words out of my mouth, both of those are such libshit that I cringe my asshole out.
That’s another aspect of it - those practices aren’t “libshit” they’re corporate shit. Same as sticking a big GREEN label on random products.
Ya know, there’s a scene in The Boys where Maeve is outed as a bisexual, so they decide to promote her queerness as part of a “Brave Maeve” campaign to encourage those in the closet to come out.
But then they tell her she has to be a lesbian, not bisexual, because bisexuality is “too confusing”, and even then they police what behaviors she is and is not allowed to do; she can be a lesbian but not “too gay”, and she’s only allowed to date feminine individuals while presenting as masculine or vice versa because to do otherwise is to “send the wrong message”
This basically ruins her life, forces her girlfriend to break up with her because she can’t take having to be a “Model Minority” at all times, and Maeve is left so broken she almost reveals the fact that she and Homelander don’t actually save people to the whole world.
When I saw that, I was like “Holy shit, finally, someone else who understands why I, a transgender woman, actively avoid media that caters to the LGBT community. Finally, SOMEONE gets it and they’re making sure other people get it too.”
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Alan Turing… Nuff said
You only have to look at any anti-woke review for a few seconds to figure out it’s only ever racism, misogyny, and anti lgbtq hate. They aren’t like ‘‘This is why it’s woke’’ with some philosophical discussion, it straight up is ‘‘there’s a black in this game, that’s wrong.’’
This was very evident with Concord the week it shut down. People in the YT comments were inevitably blaming woke politics because it had an arguably diverse cast even though the trailer was one of the most bland, unimaginative and unpolished pieces of advertisement I’ve ever seen. Oh, but it was the blue haired people’s fault for reasons! 🙄
I’m gonna get the quote wrong, so I wont even try, but some internet person basically said that any time there’s a failure, the worse people will come out to claim it as a victory.
Game had cringe writing and was glitchy as hell? Oh, well it was the minority characters that caused it fail. Just ignore all the other games with minority characters that have succeeded.
Oh, this Lara Croft chick has to be a strong, independent woman, huh? Tired of shit like this and Metroid. Quit hamfisting women into things and virtue signalling
Never, ever, not in the entire 90’s decade I was alive did I even hear anything remotely similar to anything like that. It was unheard of.
No one even thought about it like that, or even had the concept to consider them that way.
…until 2016
They gave Lara depth and humanized her, and this made the horny gamer boys angry cause they just wanted to look at boobies and not think too much.
She had all that in the PS2 era and none of us cared then.
those games were also kinda mid…
A game is only called “woke” when it’s bad. Balder’s Gate 3 is one of the most “woke” major releases in the last few years but you hardly hear them complain about it.
It’s the same thing with cyberpunk 2077. The anti-woke crowd can’t agree on whether it’s woke because many of them like it.
I think the problem isn’t the wokeness for most people, but the awkward shoehorning of stereotypes and forced messaging that makes everything feel cheap and doesn’t contribute to the experience or story. For example having a lgbtq+ element for the sake of checking a diversity box, instead of it being a random fact of this world or character.
How do you differentiate between a character “written for the sake of checking a diversity box”, a poorly-written diverse character, and a “random fact of the world”? It’s a fictional world. Nothing is random. It’s all creative decisions made by a team of writers and producers.
I don’t think shoehorning in of diverse identities and character backgrounds is good representation or good art, and I completely agree with your point there.
But I don’t think that the people driving the current backlash bother to make those distinctions.
What I see is a lot of outrage being stoked by people using the (updated) language and tactics of gamergate, and I don’t think the result of that will be “better representation”.
I think the result will be devs being harrassed and pushed out of an already brutal industry.
Games like Cyberpunk have characters who are black, gay, etc. but it never impacts the player character’s decisions when interacting with them (besides romance options). Dragon Age The Veilguard has one character walk the player through their sexuality in cutscenes, making it forced and unnecessary information in the moment. It’s the odd injection of the woke rather than the woke itself.
Have you played the game?
I haven’t.
Do you have to interact with that character? In all the BioWare games I have played, you don’t actually have to interact with any companions at all outside of critpath questlines. Even big blowup moments like the Miranda/Jack fight only trigger once you’ve completed both of their loyalty missions, and you have to choose to talk to them to unlock those in the first place.
And since I’m assuming you’re referring to the Qunari companion, and I’ve watched a couple of critiques of the scenes I believe you’re referencing - it’s not their sexuality that’s being discussed, it’s their gender.
I’ve played Cyberpunk, haven’t played DATV but have seen a walkthrough. The cutscene we a referring to seems to be mandatory as no walkthrough or creator has mentioned a path that does not trigger it. There is another scene with the same character that plays as an akward sex scene. It again, feels and is forced, so people do not like it. If you removed these cutscenes and just had the character be trans it would be a non-issue.
An LGBTQ person doesn’t need “a good reason” for being written that way. If they did, then so would the straight person, no? Unless, of course, we’re trying to say that every story’s default needs to be a straight white man who doesn’t need to be constantly justifying his existence.
Frankly, these days you better have a damn good reason why we have to deal with the ten-thousandth same old shoe-horned straight relationship that only exists because two main characters happen to be opposite genders and roughly the same age. Like, yeah, who could have seen that coming wow good job here’s a sticker.
It’s not about checking a diversity box, it’s about the barest amount of representation. The LGBT people in my life don’t exist because they fit some kind of plot-point in my life; they exist because that’s just how the dice landed and they don’t owe me a justification for why they are that way in order to be my friends. That would be absurd, right?
—
Sidenote: Everyone complaining about Veilguard(for example) forgets that a) Bioware is famously unclear about what dialogue choices do and b) they just don’t, historically, seem to have the capacity to write terribly creative games. They’re fine and I’ve enjoyed playing the ones I have but still.
I didn’t say they need a reason to exist. I said basically the same thing as you. A character is supposed to just exists with their traits and act naturally, instead of making diversity their whole personality. It’s the same thing as the classic token black guy in movies. Only present to serve the quota, not actually contributing to anything. And having a character make their straight-ness and whiteness their whole personality would be just as infuriating.
I dispise forced romance just as much as you seem to, it doesn’t matter to me what the genders involved are, if it’s there I want it to make sense and add something, not just tick a box.
Right, except that 99% of LGBT characters aren’t doing anything special and their mere existence, since we aren’t numb to it, is taken as some political act of tokenism. It’s as simple as being aware that you’re going to have biases and letting yourself get used to it instead of complaining about it.
And yes, some of it will be a bit heavy-handed and some will even be an attempt to get more money but like, so what? It’s not nearly as much as everyone claims and it all serves to normalize it so get over it. It’s not like there isn’t heaps of absolutely dogshit straight writing that we are fine ignoring for the sake of the rest of the game. Tthe second it’s the same thing but with a gay character every shitstain gets all bent outta shape over it like their problem isn’t their own homophobia.
Woke activists have already said that they are willing to annihilate and scorched-earth and salt-the-fields if DEI ESG woke things arent put front and centre into video games.
So maybe we dont need people who actively hate video games and gamers to be in the video game making industry. The woke can go be part of Hollywood leave the gamers alone.
Woke activists have already said that they are willing to annihilate and scorched-earth and salt-the-fields if DEI ESG woke things arent put front and centre into video games.
What exactly is your problem with ESG, which measures the social and environmental impact of a companies actions? You think we… shouldn’t hold corpos responsible for their actions?
Elon Musk doesn’t want DEI, do you think maybe there might be a good reason the US has it?
So maybe we dont need people who actively hate video games and gamers to be in the video game making industry. The woke can go be part of Hollywood leave the gamers alone.
I’m going to need you to explain how wanting representation of non cishetero characters is proof of ‘people who actively hate video games and gamers…’
You want to know who hate video games and gamers? ‘Anti-woke’ gamers. All this whining and crying over having a character be bi, or someone being (gasp) non-binary is performative and ridiculous. If your entire day and gaming experience can be ruined by someone making a non-binary character in a fucking single player RPG, that’s laughable, and the taunting you’ll receive is justified.
I bought BG3 due to constant negative comments about it. It’s woke, everyone is bi (sign me the fuck up), random misogyny, etc. I figured if they were that mad it had to be good, and 427 hours of gameplay later I am glad I did that.
There were absolutely people calling that game woke. You didn’t hear them because they were drowned out by the good press. It’s not that game is only called woke when it’s bad, it’s that when a game is good there’s enough positive publicity to drowned out the negative.
I heard complaints about BG3 characters being romanceable independently of MC’s gender and race, that it’s against lore and statistics. But my guess would be that it would’ve been the thing devs wanted to do not because of wokeness, but because it seems fairer towards the player.
BG3 doesn’t lecture you like other games though. There is a difference between having these people live in your world vs being the spokesperson for BLM.
The difference isn’t in subject matter, but writing quality. I like retro shooters and considering Build Engine(think Duke Nukem) style games are based on movie genres, I’d love a blaxploitation game were I’m shooting Nazis and throwing molotov cocktails at clansmen. The subject matter would absolutely be in you face.
Remember, people got offended at how Nazis were portrayed Wolfenstein, a game solely about killing Nazis.
We can critique the writing of games like Dustborn, but the moment you start complaining about “wokeness”, you signal that you’re just gaming the algorithm for the lowest common denominator of viewer to drive that ad money up.
Which games are like that, though?
This is just my take on things. Feel free to agree or disagree.
Woke nowadays has a different meaning depending on where you are on the political spectrum, but I think most gamers think of it as corporate virtue signaling with often counterintuitive “not actually progressiveness” and ends up just stereotyping minorities. For example the DLC character in Kill the Justice League is an old lesbian stereotype and rarely represents what modern lesbians actually look like. In fact lesbians don’t have to “look like” anything, but then you wouldn’t know they’re lesbians, and the companies don’t understand how to do this.
Gamers can tell when a company is trying to “be progressive” while also having no idea how to do it properly, and it all comes off as incredibly cringe (Like DragonAge: The Veilguard) But when the developers are capable of telling a story, and integrate their modernized views into it, while making a great game (like Baldur’s Gate 3) it no longer is “woke”, just great.
Games with progressive views have existed for a very long time, and have generally been well received. But they never really started this “fake progressiveness corporate virtue signaling” until recently and I think gamers really only care about this happening. So it isn’t about and never was about the political messages themselves. And proof of this lies in the fact that the same people who complain about woke games also complain about censorship in other countries (like the Arcane lesbian relationship being erased in the Chinese release, or game companies logos not having rainbows only in middle eastern countries).
I know a lot of people see in black and white, and you’re either pro woke slop, or you’re racist/sexist/transphobic. But reality is that most gamers (even those who complain about wokeness) actually are progressives. They actually don’t care if someone is gay or trans or not. They only care about how that is portrayed, how belittling the message is, and how honest it is.
If that’s the case, then they’re just criticizing bad writing, like all of us are.
But it’s not necessarily the case. There was an adult animation that came out endorsed by Ben Shapiro that was meant to be all about conservative values. To show they’re not backwards, the protagonist has one gay friend. And, from that alone, the target base complained about the show being “woke”.
So the term is both wrapping a long way around towards the simple term “bad writing” and instantly called upon anytime demographics include minorities. I’d go for the Occam’s Razor explanation. It’s just hate.
If that’s the case, then they’re just criticizing bad writing, like all of us are.
They’re criticising a specific type of bad writing. There are many ways a story can be written poorly. “Bad writing” isn’t being honest about why and how the writing is bad.
That said, there are definitely far right people who regard well written minority characters to be woke. I understand the user above to be explaining that that’s not everyone who uses the term, and I agree.
the post you replied to brought up a counter-example… but is it really?
i think it probably is yet another example of “poorly written character exists only to be gay”
so basically just reinforcing the point GP made
This, the kind of gamer who make lists of woke games that you shouldn’t play, or go on review bombing a game for been woke do not have the nuance to criticise the bad writing. They follow the fascist strategy of offering a simple solution to a more complex problem, ignoring the real causes of that problem.
Bad writing can be caused by many things but I’m sure that the mass layoffs and the fucked up development cycle are a major cause of these problems.
Agreed, and I feel like the big issue here is there are two versions of “anti-woke” in gaming.
The first is gamers that want real progressive storylines that tie into the story well, and are critical of corporations trying to shoehorn random aspects of culture to be “woke” which fall flat because it’s just virtue signaling.
But it’s been conflated with the sort of 4chan style mentality of “gamer men” who criticize anything, even historically accurate stories who call a game woke just because it doesn’t fit their favorite narrative of muscular white dude or scantily clad woman being the protagonist.
An example of this is Assassin’s Creed Shadows. The game should by no means be labelled “woke” by anybody. It’s telling a dramatized tale of a real person that existed within feudal Japan who was by all measure a black samurai. However the second group in my description above has taken it upon themselves to criticize the studio for “forcing a narrative” or whatever which simply isn’t true. It’s a real person, from history, and they are telling a video game version of his story.
It’s annoying that the improper “wokeness” criticism there gets conflated with true criticism of studios adding barely fleshed out token elements of “inclusion” that by and large benefit nobody but instead detract from titles.
Absolutely this. I can only speak for myself, and I know that some folks are so starved for representation that they are happy with anything and that’s fine, but for me poor representation is just as bad as none at all.
I’m a guy married to a guy, and I do like to see queer characters and same sex romance options. But playing DA: Origin and crushing on Alastair, only to have the option of Zevran… It kinda feels like the games is telling me “gay men are campy and promiscuous, a sensitive and strong guy like Alistair is clearly heterosexual”. It didn’t make me feel included or represented, quite the opposite.
Obviously, times change, and sometimes these clumsy first steps are how we get to somewhere better. But as well as disappointing me, I understand why awkward ‘woke’ representation rubs people the wrong way. If I as a queer man find the gay character tokenistic, underdeveloped and kinda annoying then it doesn’t surprise me that other folks would too. And being willing to say “this is good representation, but that is shallow box ticking” would help us all get to better place.
Personally I’d rather woke slop to straight slop - at least it’s clumsily including different narratives, rather than just clumsily reinforcing the same old narratives.
Obviously I would rather no slop, and I would rather artful représentations of all characters, but writing is hard - even moreso when you’ve got producers, investors, and a committee working as editors.
Also slop meamd the industry is at least not actively hostile to my existence. There are much worse fates than being pandered to and patronized
I think most of the criticism about “wokeness” is unwarranted. I don’t know of any video game or movie that has been ruined because of “wokeness”.
Is Suicide Squad a bad video game? Probably. I haven’t played it myself.
Is Suicide Squad bad because the DLC has an old tired lesbian stereotype? No, I don’t think so. Even if it was a good game, I don’t think it would’ve mattered much.
It’s kind of like Jar Jar Binks. People use him as a scapegoat for why Episode I is bad. It’s a character who’s easy to attack, but he’s far from the reason why anyone would think Episode I is a bad movie. They would still dislike the movie even if he had been removed.
People are often good at telling when something is bad, but rarely understand why it’s bad.
like the Arcane lesbian relationship being erased in the Chinese release, or game companies logos not having rainbows only in middle eastern countries
There was a mod for one of the Spiderman games (that got removed from Nexus Mods lol) because it activated the flags from the Saudi release of the game that override the pride flags in other releases, which got people discussing how serious these companies are about progressive ideals if they’re only selectively included. Of course it feels like it’s only tangentially attached to the content: it is, by design, and you can easily prove it.
That’s what people mean when they say it’s forced.
You want to write a gay character? Do it, but stop half-assing it because it won’t sell in China. Do it right or fuck off.
True that.
I even found it very funny when they accused kingdom come: deliverance of being racist because no black characters were in the game.
The setting is fucking medieval! There were no black people in Europe back then.
On the other hand I only know some Netflix series where they add all characters of the lbqt+ spectrum but give them no story or any meanings to that.
Wow, so nobody traveled across the Mediterranean until the modern era? Gosh!
Yes and no.
Almost only merchants and so on traveled, I guess.
But basically people didn’t even go to the nearest town that often, so in the rural areas there were no black people, and if, it was a very rare occasion that would have been documented
no black people in medieval Europe
In general, there’s almost always an exception which disproves any such rule. People across history have lived all sorts of lives.
https://www.simon-hartman.com/post/the-presence-of-africans-in-european-history
in this case i think we can all tell that “no” means “practically none” not like there was some law of physics stopping it
It’s practically wrong, though
Yeah, but that’s not going to stop the anti-woke crowd from Um AkShUaLlY-ing the situation to try to pretend it’s not just some racist dog whistle.
Your first source is a costume-designer with a very obvious agenda talking about European history. She sources little of her statements, some of them with actual pieces of fiction (including anachronistic art).
Your second source basically amounts to “contemporary writers didn’t say there weren’t Africans in Europe *wink*”. It’s written like your typical ancient aliens stuff.
The third describes more the spread of influence than the actual populace, and is written by Runoko Rashidi, an afrocentrist “historian” who liked to claim historical figures were black in spite of when evidence to the contrary existed. These folks are colloquially known as “hoteps” in some circles.
Obviously given the nature of humans, cultures, and empires, it is likely some amount of black Africans ended up in Europe. That said, given historical records as understood by actual historians, we have reason to believe there were not many of them. Why does it even matter though? What would black Africans being in Europe even prove?
I disagree that the first source has an agenda, it seems more that she’s just enthusiastically describing her subject matter. She cites other scholars and artwork, which isn’t necessarily anachronistic as it was made at that time. I’d say the same about the second source.
Here’s some more art work being described. The source is approachable and meant to encourage further reading for anyone interested, https://www.thehumanityarchive.com/articles/black-people-medieval-europe
For the last source, maybe that person had a pov to sell so it does make them less reliable, but if other historical artifacts or sources prove them right, then overall point of this remains the same.
The reason I brought it up was because someone said colored POC didn’t make sense in a medieval Europe game setting. I agree that there were probably less of them, but including the presence of such people in a game setting is just reality. Why is that such an issue for people? Those people need to get over it.
Here’s more scholarly resources https://www.oxfordbibliographies.com/display/document/obo-9780199730414/obo-9780199730414-0326.xml
And a more approachable one, https://www.open.edu/openlearn/history-the-arts/history/deconstructing-the-moors-black-presence-the-united-kingdom-and-during-the-tudor-period
To be fair, what the OOP is describing is “diversity in the video game industry”, not “woke games”, per se. While I doubt anyone here has objections to the former, I also doubt that anyone here is a fan of “Dustborn”, as an example.
I hate this kind of comment. A bad game doing poorly that happens to be “woke” isn’t evidence that being “woke” made it bad. For example, Dragon Age Origins is pretty “woke” (especially for its time) but it’s recognized as an amazing game by pretty much everyone. If you make a great game that’s written well, it’s probably going to be received well. The issue is modern AAA gaming just makes mass audience slop that is devoid of passion and dictated by suits to chase trends. Being “woke” doesn’t matter. Being good matters.
I thought the hamfisted shit was what most meant when they talk about “woke”.
They tell you they only mean the ham-fisted stuff to get “reasonable” people to agree with them, then they move the goalposts and start calling everything else woke, regardless of “ham-fistedness,” to get “reasonable” people to expand their definition of “woke” in a pejorative sense and associate a wider range of media as being “woke and therefore bad.” Just like they did in past decades with “political correctness.”
I think it could just be that the hamfisted stuff is the most egregious and visible example so it’s what most people mean and agree on as “woke”
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Dustborn is a good game that has been incredibly misrepresented. Take the “you are racist” scene copied and pasted from video to video for example. It’s presented as the game’s Black protagonist just accusing two cops of racism for no reason.
In the actual game, it’s one of the multiple dialogue choices that may not even happen if one of the protagonist’s friends intervenes. The context that is omitted from the culture war videos is that the protagonist comes out of the bathroom of a diner and sees two Justice officers:
- Talking about arresting her friends for no reason other than being tired of waiting for the waiter.
- Going on a long rant about Anomals (read as mutants of the X-Men, which is one of the inspirations behind the game), saying they’re monsters whose babies come out damaged, missing body parts, and that they shouldn’t procreate at all so that there are “fewer scourges on the planet”.
- Asking the protagonist questions (which is fine for a police officer) while being disrespectful, like when she says she’s in a band and they ask if she’s the groupie.
- Depending on the player’s actions, the same officers may also ask if the protagonist and “the Black kid” from her crew are related, then among themselves argue on whether that’s racist, to which the protagonist may reply with the Trigger Vox, which results in the “you’re racists” phrase.
Also worth noting that from the very first scenes of the game, the player is discouraged from using the special abilities, Vox, as they force people to do things against their will, so many players would never see that reaction intended to be over the top (as evident from the in-game post-chapter choice stats indicating that the majority don’t use Vox on other occasions).
I’m going to come at this from a movie rather than a video game place, but:
Which is more “woke:” Enemy Mine, or She-Hulk?
Enemy Mine is about a human and an alien (played by a white man and a black man) starting the movie as enemies. Actual shooting war “We were in a dogfight and I was trying to kill you with guns” enemies. And when marooned on an inhospitable planet they learn to understand and even love each other.
She-Hulk is about Nth-wave feminism talking points. “They catcalled me in a parking lot and it made me mad.”
You know that guy who does “honest movie trailers” on Youtube? He did one for Star Trek TNG, and he says “It’s the future, and the Future. Is. Woke!” And he said this before the word “woke” was co-opted by the right meaning “anything regressives don’t like.”
Gene Roddenberry had a vision for the future where we were past it all. Humanity is beyond racism, beyond sexism, beyond classism. Even if he couldn’t live up to it himself (He did put Marina Sirtis in a minidress and in a chair with no console in front of it to make it easy to look at her legs. And there was that really cringey episode where they go to the black people planet where everyone is all tribal and primitive, that was ugly) he aspired to that future. Probably the most powerful to me, he wrote characters who, when confronted on their ideas, would re-evaluate and even change their minds. Data called Picard out in “Measure of a Man” and Picard changed his stance and fought for what he now realized is the truth. That is the manliest moment ever broadcast on television.
I grew up with that show, I was born in 1987, same year the show premiered, some of my earliest memories is watching TNG on my parents’ Zenith console TV. That idea of “we’re past that now, we put aside our differences and we work together as a team of equals now” vision is what I thought we were all working toward. That that was the future we all wanted. Couldn’t be farther from the truth. The radical right are actively avoiding it clinging to some weird idea of a white hegemony. Surprised they don’t call the invention of the diesel powered tractor an affront to their heritage because it deprives them of a reason to harm black people.
Most other groups of people are busy fantasizing about having their turn as the despotic rulers. “When we come to power, we’ll enslave you and see how you like it.” That type of shit.The people who call themselves “Woke” like the aesthetic of people who aren’t straight and/or white and/or male doing creative things, but the things they create are basically never about everyone learning to get along and building better futures for each other. They make talking point grievance airing revenge porn and dare their targets to dislike it.
That idea of “we’re past that now, we put aside our differences and we work together as a team of equals now” vision is what I thought we were all working toward. That that was the future we all wanted. Couldn’t be farther from the truth. The radical right are actively avoiding it clinging to some weird idea of a white hegemony
This is true about Star Trek, and the TNG era in particular. No way you could watch those shows and not come away with the understanding that people struggled to be the better human being and had achieved significant gains in the fictional universe.
I wonder what TV shows the racists preferred.
Is that dude waiting for an American Black Woman to invent punctuation marks?
Oh, I like you.
You know what was surprisingly woke? Smokey & The Bandit.
You’d think the truckers would be all white guys, and they’d be casually racist through the whole thing since it’s the 70s. But it wasn’t. Truckers of all shapes and sizes. And the main trucker character is friends with black people.
In the 70s. In a trucker movie. Set in The South.