(I didn’t, largely since I’ve never watched a single episode, but the psychic damage and whiplash of Wholesome Pony Show having said this line was too fuckn much for me)
EDIT: More replies than upbears now. It’s probably an official struggle session now (although most of it is that one person). One must imagine SisyFEWs happy.
The show’s sudden widespread popularity always felt like a western version of Japanese otaku culture to me. People were making their own comics, fanart, radio plays, etc. It was like doujin circles. They even would stalk the voice actresses like creeps.
It’s always been interesting to me how closely otaku and western nerds will come to imitating one another without significant contact with the other. There’s like a platonic ideal of weird creepy nerd they’re all drawing from in the ether. They even have their own weird fascist contingents. Japan invented incels too like in the 80s.
Really makes you wonder. This has to be the latest iteration of a longstanding phenomenon, yeah? Cus I just cannot imagine that sort of personality was just spontaneously generated by access to the internet.
I mean this painting exists
I’ve always thought there had to have been weird obsessives in like 1850 who spent too much time on the telegraph
You’re always clacking away at the teleprinter, why don’t you go out and make some friends?
My hypothesis is that Japan just figured out how to turn fandom into an obsessive toy-buying culture earlier than America did. If you go back to something like, for example, the early days of the Star Trek fandom, there was a lot of friction between the creators of that show and its consumers. They were trying to ban fanfiction and conventions and shit.
Meanwhile Japan figured out that you could capture the fandom pretty easily, sell them infinite low quality figurines and posters, and turn them into a massive army of free advertisement and hype. Nowadays it’s standard practice to do this stuff, although the American version of it ups the ante from the Japanese version, with fandoms developing not just for specific shows and characters but franchises and entire companies.