Logline
Commander Una Chin-Riley faces court-martial along with possible imprisonment and dishonorable dismissal from Starfleet, and her defense is in the hands of a lawyer who’s also a childhood friend with whom she had a terrible falling out.
Written by Dana Horgan
Directed by Valerie Weiss
What a beautiful episode. The message was great and it wasn’t ambiguous enough for people to really misinterpret or miss it while still remaining an indirect allegory for current times. The allegory was clearly about either homosexuality or undocumented immigrants and I appreciate that people from either group can likely relate to this episode. As a gay guy I have to say I definitely did.
Also, the scene with Spock’s “outburst” was hilarious and I loved seeing the (on the surface) emotionless Spock once again.
Overall I loved the episode and I’m very glad to see one I love after personally disliking the previous one.
The allegory was trans people. Hence all the talk of needing to ‘pass’ to be accepted and the wonderful lil touch of Unas child cast being the colours of the Trans flag
It is not unlikely that this is the allegory they had in mind primarily, but so much of the bigotry and hatred depicted applied to gays, blacks, jews, women and probably more groups, too.
We’re rhyming history, every generation we’re trying to overcome prejudice, oppression and hatred against a new minority, only for some to conjure up a new distinguishing feature to define a minroty to be ostracized. It feels like treading water sometimes, can’t we just cut through the bullshit in one go, but no, we have to go through all the steps, while some new group (or a subgroup of a previous group) has to endure all the pain this brings. Sometimes it feels like we’re not really getting better. But maybe we are. But it’s still too slow, it still repeats itself, and nowadays we might experience multiple such cycles in our lifetime, when at some point it took generations to get that kind of progress?
There were also parts of it that could easily be interpreted as Jim Crow era politics. Passing was a thing for Blacks as well. Splitting into two different cities reminded me of both redlining and “separate but equal.” Of course, history repeats itself, and this allegory could also be applied to Jews, Native Americans, and any other persecuted minority, including gay and trans people. Una’s whole situation could pretty easily be mapped onto a “don’t ask, don’t tell” situation as well.
Ah, I’d missed that detail. I was on the fence about whether or not it was a trans allegory because it didn’t initially feel like there were as many similarities in her story to being trans as there was to homosexuality and being an undocumented immigrant but upon further consideration I have to agree. Though it does seem to me like it is also about those other groups I mentioned. I suppose it’s a bit of a catch-all (which worked great).
The way Illyrians were segregated into Illyrian and non-Illyrian cities except for people who could pass echoes the Jim Crow era of US history, with black people being segregated and some of them trying to pass for white.
The refusal of service to those who were found to be Illyrian is like antisemitic attitudes in pre-war Nazi Germany, or the refusal of service to homosexuals. Most of what happened can be compared to any persecuted minority, racial or sexual.
That’s the beauty of a good metaphor. And the ugly universality of bigotry.
Measure of a woman
That was a beauty! I love this crew! Seeing them all back Una up made me quite emotional. I’m a soppy git.
Is it me or is SNW the best looking trek ever? Everything just looks so cool. I bloody love it.
I largely quite like SNW, but this episode had some extremely questionable eugenics apologia laced into the narrative.
I think the broadest problem with nu-trek (though it’s strongly reined in in SNW) is the heavily maudlin over-scoring and the bathos-laden dialogue. When almost every exchange between two characters sounds “perfectly written” and is dripping in score, it’s hard to take seriously.
If SNW employed like, 20% more restraint in that regard, it would sing.
I really enjoyed it. Star Trek is at its strongest when it gives itself time to mull over philosophical, ethical, and social issues. This episode really knocked it out of the park. Just really well-written overall.
This was a fantastic episode. One thing I liked in particular was that they had an actual lawyer defend Una, and not just have Pike do it.
Oh yeah, an actual lawyer and one who was not assigned by Starfleet. Una was also spot on with her complaint that her original counsel was paid by those prosecuting her. 👏
They kept the tradition alive by having a starship captain handle the prosecution, though.
But in contrast, this lawyer (Neera) won by mainly by being a good lawyer (albeit in a tv legal drama kind of way). Setting things on fire with the first witness to create a bunch of fog and doubt about the premise of the case, realising that other important regulations impinge on the case and setting up testimony to substantiate the effect of those regulations.
My memory of most other officer-lawyers is that their methods tend to focus more on the moral “issyew” (Picard’s pronunciation of “issue” in Measure of a Man).
“issyew”
/ˈɪsjuː/ is very common in RP. You hear it all the time in parliament.
“I regret that you had to witness that outburst.”
Best line in the show!
Yeah Spock makes this show much better
I really like this Spock, don’t get me wrong, but I’m finding his increasing “humanness” a bit distracting. I mean, making a joke in court? That was a bit far-fetched.
While it was played as a joke, the whole “was she hiding something” had me on first watch going “but everyone is hiding something, surely”
Spock was highlighting this with his trademark precision.
One of the problems that this show has to grapple with is that we already know Spock very well from Leonard Nimoy’s portrayal. I’d go so far as to say that - notwithstanding a few gaps - every major event of his life is known to the audience, and we are very familiar with how he’s “meant to be”.
What then is an actor to bring to such a part? Ethan Peck can’t just replicate Nimoy’s performance - for one thing, it would be boring. The writers take advantage of this series being a prequel to do the only thing they can: show how Spock became the Spock that we know from TOS. They use his appearance in the TOS pilot “The Cage”, where he was visibly more emotional and “human”, as a touchstone, and make his journey towards emotional control and “Vulcan-ness” part of his character arc for this show.
I went into it a little in another post, but I think Spock’s manner is more familiar and “one of the guys” because he’s allowed himself to become emotionally attached to the rest of the crew, and that bleeds into his personality, making him more liable to use humour and jokes to relieve tension. A few years later, when Kirk takes command and many of these officers have moved on, he decides that he will be more emotionally guarded, letting his guard down only with Uhura and Chapel - and only in brief, relaxed moments.
I took as needling the Vulcan Jag…which he couldn’t resist. The set-up was his uncontrolled outburst in the Enterprise mess.
Loved it. Star Trek has always been handwavy with legal rules in favour of a compelling debate and this was no exception.
As a Canadian, I instantly started thinking about the metaphor in terms of laws the Canadian government had against indigenous people practicing or teaching their cultural practices.
On the other hand, as a gay man, I was thinking about when homosexuality was considered a criminal practice and how sometimes gay men will stay in the closet to avoid discrimination.
One of the things that’s most interesting to me is how many minorities groups Una’s experience maps to in some rhyming way.
I thought trans people were a good fit for the metaphor, given the body alterations that can be involved.
I’ve heard a number of people interpret it about themselves, which is really good, the allegory was understandable while still being a cohesive story.
This was an absolute gem. I don’t have much of substance to add just now (except that those dress uniforms are very nice), but after being on the whole disappointed by the season opener I am extremely pleased with this episode. Definitely one of the strongest in the show so far, which is no small feat.
deleted by creator
I really like the look fo the dress uniforms. Surprised that they never got Pike to the stand, especially after Una confessing that she told Pike 4 months ago.
Now that the cast has been reset, I’m ready for them to explore some strange new worlds.
I loved it. I do not understand the joke about Spock “outburst”, was there something in that body language that I am missing? And was this a joke inspired by Lower Decks ?
The fact that there was no body language is the joke. The actors were told to sit there as impassionatly as possible.
Meanwhile Ortega is the audience eyes, it is just two people sat there with zero emotion.
Embenga can see a difference as is skilled people person and knows other races but we can’t see (future doctors must be more akin to vetenarians knowing hundreds of biological systems not just their own like a current doc)
Then the joke is that while on the outside it looks impassionate to a Vulcan that was a “massive outburst”. It’s a joke on Vulcan lack of emotion
It is a bit tiring watching my space escapism but it’s actually just highly contemporary societal issues, I know I shouldn’t expect it not to be, because this series has been highly contemporary from the very first episode, but it’s frustrating.
Almost everything about the show, from casting, effects, costumes, practical effects, vibe, directing, camerawork is all excellent.
The writing however is a straight 4/10. Not for the contemporary issues, though they contribute, but half the conversations in this series simply don’t make sense. Has anyone else noticed this?
Star Trek has always been contemporary issues wrapped in the veneer of space aliens. It’s not meant to be pure escapism.
This was my first Star Trek Series, I’ve now realised it’s a theme. It’s certainly my least favourite aspect of the show.
The episode about child sweatshops in particular felt very accusational to me, the message seemed to be that by existing I’m causing child suffering akin to child murder, through cobalt mines and clothing sweatshops etc.
I’m reminded of that bit in The Good Place where the judge says “There’s a chicken burger that, if you eat it, means you hate gay people. And it’s so gooood! It’s not fair!” (Referring to chik-fil-a)
It’s more than a theme, it’s the entire cloth the show is cut from. It’s meant to be a vehicle for progressive, egalitarian, humanist ideals. It dares to see the world as a better place without the chains and vices of greed and capitalism and bigotry.
It’s not popcorn sci-fi. It’s a surprisingly deep show meant to make you confront biases and prejudices you may not have even realized you had.
Yes I get that, I simply find it doesn’t achieve that goal and that its attempts to do so are without subtlety and overly contemporary, I’m now watching Discovery and in S01E03 or so, Captain Lorca cites Elon Musk as a great innovator.
The show is already dated and it’s only 5 years old, that’s a major downside.
I think it’s primarily the shallow depth of the prejudice confrontation that causes the problem, I don’t remember any episodes so far which didn’t feel like primary school level metaphors for racism etc. A more tactful and/or deeper writer would perhaps cause me no issues
You’re free to stop watching.
What you’re saying is that you hate actually having to acknowledge that you consume stuff that causes pain and suffering and would rather just ignore it.
For an episode whose argument hinged on genetic engineering being a cultural practice for the Ilyrians it is strange they never actually had anybody testify as to what significance it has in Ilyrian culture. Or how it is done and why.
If the genetic engineering is done to adapt to their inhospitable atmosphere why are they doing it to every child? They could just edit the germline once and be done with it.
Altogether it felt like the writers just got very attached to the idea of genetically modified individuals as a metaphor for real world marginalized groups that they lost track both of the in-universe practicalities of the metaphor and the real world implications for the metaphor. This was just outright sympathetic to eugenicists, an ideology that has led to the deaths of millions of marginalized people.
@varda @ValueSubtracted Maybe I missed something but I thought the Ilyrians were all about augmentation, both genetic and technological. I think there’s a huge difference between taking something, making it better and the pursuit of a perfect race. I too would like to know more.
There’s no difference actually. You seem uneducated about eugenics
@bulbasaur “the study of how to arrange reproduction within a human population to increase the occurrence of heritable characteristics regarded as desirable.” Very different from augmenting oneself with current tech, like vaccination.
Ad Astra Per Aspera
A beautiful title, I remember watching the anime Ad Astra a few years back. They had a ROUGH time.
Through hardships, to the stars.
You had your playtime, acting like one of them. Accept your dismissal, take your licks and go home.
Una: No. (Why not?) Because I shouldn’t have to hide anymore. None of us should. I know I should have done better. I didn’t stand up when I should have. I’m standing up now.
YES! GIVE ME THAT STRENGTH!
So it was either dishonorable discharge OR Dishonorable discharge with 20 years in a penal colony.
That’s a rough decision.
GIVE EM HELL UNA!
So La’An has an idea that the evidence against Una might have been illegally obtained. This is going to be a really in depth court drama from Star Trek!
La’An: We need to find out who turned her in. It might well be the only way to save her.
But Uhura strictly refuses La’An’s illegal order. :|
Counselor: Admiral, it would seem that the rules of Starfleet only apply when a captain deems that they do. (Robert April: Is there a question Counsellor?)
You have shown that you have been repeatedly willing to break the very first order of starfleet and you are hailed a hero. you can break the law if you so choose. So, hiding behind order and protocol to explain why you would not have admitted Una Chin-Riley to Starfleet is a sanctimonious falsehood, is it not?
And of course the JAG gets pissed off at that type of reasoning, how convenient.
Counsellor: My client did not ask to be genetically modified. It is an Illyrian cultural practice done to children before they are even born. It is done for survival and yet she has been arrested because of a violation of a law. But the Admiral has just shown us that Starfleet regulations are are flimsy and subjective at best.
Spock’s line about what una was hiding OMG!!!
Spock: Yes, I did get the feeling that she was hiding something.
Neera: What was she hiding?
Spock: An affanity for Gibert and Sullivan musicals.
A BRITISH TAR IS A SOARING SOUL AS FREE AS A MOUNTAIN BIRD HIS ENERGETIC FIST SHOULD BE READY TO RESIST A DICTACTORIAL WORD
Spock: Perhaps. Although I think it is illogical for Starfleet to punish itself.
Neera: I’m afraid I don’t understand.
Spock: The loss of Una would be destructive to Starfleet as an organization. She is an extraordinary officer.
Una: She is a Mentor Spock: I have learned a great deal about leadership by serving under her.
M’benga: She puts the lives of her crew above her own. Always.
Spock: She is a friend.
La’An: Family. Una is Family.
And we get more into exactly That.
Counselor: Could it be that you carry your family’s augmentations, and you believe that because of them you may become dangerous?
Una: Yes, I do.
OH MY GOOOOOOD…
Counselor: There is nothing wrong with you Lieutenant, no hidden monster inside. But I do know how they make us feel. They look down at us for so long that we begin to look down at ourselves. Genetics is not our destiny despite what you may have been taught. The fear of yourself it’s not your own. It was drilled into you. You’re not born a monster. You were just born with a capacity for actions, good or ill. Just like the rest of us… i guarantee you are not the the person who leaked Una’s true identity to Starfleet.
“Ad Astra per aspera”
To the stars through hardship.
…
Una: My family, we went to the non-illyrian city. You see, some of us could pass. We could blend in, so we did. We left everyone else behind. Our families. Our friends… We left them all. I regret it to this day.
…
I wanted my crew to know who me for who I really was. I thought maybe if they did, I would finally be safe. And starfleet would finally understand Illyrian’s better.
So it was four months in between Ghosts of Illyria and last season’s finale.
Neera: She believed in the best of Starfleet, and that through it she could find salvation from the hardship and danger of her everyday life. Danger she faced just for being born an Illyrian. Dangers born on prejudice. Spurred on by laws against people like her. But through her hardhsips, Una saw the stars. Una joined Starfleet because she believed it was the only thing that could save her life. She fled persecution, and within Starfleet she sought safettu. She Asked for Asylum and Captain Pike granted it.
What an amazing courtroom episode! Did a lot of work for equality in the current moment.
I was recalling a lot of the classic courtroom episodes too, The Menagerie, Drumhead, Measure of a Man. This is top tier stuff.
I also feel relevant to our current controversies.
I loved April getting called out for bending/breaking rules.
Seems that captains of the Enterprise breaking the Prime Directive is a very old tradition indeed.
