So to start this community with a question I have myself.

A little bit of context:

I am a drummer, and for shows currently using a Behringer in-ear system where I will get a mono or stereo xlr as input.

This is already a lot better than having to rely on the wedge and I have a little bit of control over at least the volume.

The rest of the band is currently using the wedges.

I would like to upgrade this setup a bit to have more control over what i will hear on my in-ears, and be it more consistent for every show. Next step would be to get the other members to also use it.

Any recommendations on what would be a good starting point that is not immediately breaking the bank, but can be expanded over time and gives us that control.

  • The band consists of 5 people. (1 drums, 2 guitars, 1 bass, 1 vocals)
  • We bring our own sound engineer to shows
  • price range around ~ 1000 euros
  • R...@lemmy.mlOPMEnglish
    1·
    2 months ago

    Thanks a lot! This really points me in a direction to start looking into more specifics. I do bring my own kit as much as possible (left handed drummer using a rack), and one of our sound engineers brings his mics as well, so sometimes we have that luxury.

    But to purchase a decent set of mics that are at least the minimum quality of what a regular venue has would also set us back quite some money right? I do love the autonomy of it!

    How hard (or annoying) would it be for the house mixer to patch it through? Is that something that can easily be done when it’s known in advance?

    And in terms of how standard it is, i have talked to other musicians as well, and this seems the general direction to go with, some add a bunch of other things as well (backing tracks, drum triggers, full song clicktracks etc).