Episode Information

No. Episode Written By Directed By Release Date
5x01 Red Directive Michelle Paradise Olatunde Osunsanmi 2024-04-04
5x02 Under The Twin Moons Alan McElroy Doug Aarniokoski 2024-04-04

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Today we embark on the final season of Discovery. I’m going make a simple request: whether you love it, hate it, or are ambivalent about it, it would make me so happy if everyone could just be cool. Online discussions about Discovery tend to devolve into circlejerks or two minute hates, and some see the latter in particular as justification to moderate the places where these discussions happen with a heavy hand.

I’m not interested in that kind of community. Online discussions are healthier when everyone is respectful and moderators only need to employ a light touch. So in the words of an ace pilot from another great sci-fi show: I am a friendly, okay? We’re all friendlies. So, let’s just… be friendly.

  • Guy Fleegman@lemmy.dbzer0.comOPM
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    8 months ago

    Well, that was certainly an episode of Star Trek: Discovery. Actually, it might be one of Discovery’s most representative episodes.

    Discovery at its worst: geez that warp chase scene was awful. It wasn’t a great use of How We Got Here because there wasn’t enough time between the flashback and the redux to make the flashback seem justified—the bulk of the episode happened after the redux anyways. It wasn’t a great use of Once More With Clarity, either. I guess they were going for some sort of dramatic Rayner reveal? But, the “revelation” that the Antares was shadowing Burnham that whole time wasn’t particularly interesting. Nothing was gained by temporally displacing that scene other than frontloading the action, which makes it seem like Discovery is scared to lead with a character moment or a story beat, as if their mentality is “we gotta get to the pew pew ASAP because that’s why the audience is here.”

    It felt unearned, and was just another instance of Discovery borrowing things from better shows without adding anything or seemingly even understanding why what they borrowed worked in a different context. And of course, this teed up one of Discovery’s most obnoxious long-running tropes: Burnham knows she’s right and spends a few minutes exasperatedly explaining to an unwelcome guest with equivalent or higher authority than her to no avail. The thing that’s always weird about these scenes is the way Burnham keeps going even after it’s become very clear that the person she’s trying to convince isn’t having it. At that point, focus on getting into the ship, don’t continue the argument! These scenes always feel like Burnham is trying to make sure that the viewer knows she’s right rather than the other character.

    I know she’s right. She’s always right.

    Discovery at its best: The scene where Discovery and Antares save the settlement on Q’mau. This had all the bits and pieces of a classic Trek triumph: the heroes put the mission, their ships, and themselves at risk to save innocent lives because it’s the right thing to do and ultimately save the day thanks to quick thinking, creativity, and Starfleet’s engineering prowess. This was actually the only sequence in the episode where the Burnham-Rayner interaction worked: Rayner’s calculated risk paid off but introduced a new complication, but Rayner was also pretty quick to concede that “ok yeah, to hell with this ‘Red Directive’ nonsense, innocent lives are at stake” and ceded authority to Burnham.

    Visually, seeing Discovery and Antares literally shield the settlement was fantastic. The detail on the shields stopping the rockslide was great fun to watch. These have always been my favorite Discovery moments: classic Trek formula with modern effects and pacing.

    Why I’m worried: Rayner. One of Discovery’s quirks has always been what I call “the interloper,” an external authority figured foisted onto the cast to either foil or assist Burnham depending on which direction the story needs to turn. Lorca and Pike were more pronounced instances of this quirk than Vance and Rilliak were, but all four seasons have done it.

    Our season 5 interloper looks to be Rayner, and it looks like Rayner is going to be as prominent as Lorca and Pike were. And boy, I didn’t find Rayner to be interesting or compelling at all. I’ve worked with far too many “I’m allowed to be a jerk because I’m right” types to be entertained by them, particularly when played straight. I really hope they do something more novel with Rayner, and quickly.

    • RBG@discuss.tchncs.de
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      8 months ago

      Agree with most of it. That intro with Michael riding on that ship at warp is exactly why I don’t like Discovery all that much. It’s always Michael, it’s got to be Michael. Plus the way this was used as you pointed out was just not good.

      Also the reasoning to get Tilly back on board later, eh, don’t know, why not I guess. But why park a character at the academy teaching if you just get her back later with some half-baked excuse.

      Same for Rayner, he has been retired as a Captain, despised working with Michael but of course she can persuade him to work as her Number One? Really? Sorry, but that does not make sense to me. I like him as a character though, so not too unhappy he sticks around.

      But Michaels monologue about the progenitors at the beginning of episode 2 just nailed it in terms of what is not good about Discovery. Of course Michael recently thought about her existence, of course she has the drive to now look for answers the questions, but what if she does not understand. Always her her her. None of the other characters seem to matter.

      I am quite excited they revive that progenitors plot from TNG, it is good material. However I am worried they only did so since they saw this is what saved Picard Season 03, fan service by bringing back as much TNG as necessary. So we will see. Cautiously optimistic, but it is still the Discovery that I don’t quite like.