A visual effects artist has revealed the reason why special effects in movies are so much “worse” now.

Fans have long lamented the declining quality of computer-generated imagery (CGI) as a seemingly increasing number of blunders are picked up by eagle-eyed viewers upon almost every big release.

From movies such as Cats, Hulk and Aladdin to Avengers: Infinity War and the latest Mad Max instalment, Furiosa, on-screen glitches and some low-quality visuals have been jarring for moviegoers. The phenomenon is now so ubiquitous that flaws are apparent even in trailers for unreleased movies, such as the forthcoming remake of The Crow.

“VFX artist here, heres what happened,” he began. “Clients continually change the brief. Shot design and planning are no longer a priority, and we have a lot more work to get through in a shorter amount of time.

“We have and can create work better than back in the day, it just needs the right leadership team, planning, and time to make sure it happens.”

Edji explained that the average film now changes a lot more during postproduction than it used to, adding, “This means new work gets added to our plate and work we’ve already started (and sometimes even finished) gets scrapped. The ‘fix it in post’ mentality also doesn’t help.”

He implored people to not blame VFX artists, saying: “It’s almost always the studio/leadership team who is responsible for when things don’t get done up to scratch and never the actual artists’ fault.”

  • RizzRustbolt@lemmy.world
    link
    fedilink
    English
    arrow-up
    31
    arrow-down
    1
    ·
    6 个月前

    Don’t count out the fact that shots are oftentimes split amongst multiple effects studios

    • maegul (he/they)@lemmy.mlM
      link
      fedilink
      English
      arrow-up
      26
      ·
      6 个月前

      Yea, and the way, AFAIU, that jobs are auctioned off to the lowest bidder. All around it feels like Hollywood just doesn’t want to take the importance of CGI/VFX too seriously or let the sub-industry get too much power or too large a slice of the pie … so instead it keeps them at an arms distance and culturally emphasises the idea that VFX aren’t “central” to the quality of a film when in reality it’s now a key part of the production/directorial process best integrated from the start (as Godzilla minus one demonstrated, apparently as I still haven’t seen it and don’t want to signup for netflix to watch it).

      • mindbleach@sh.itjust.works
        link
        fedilink
        English
        arrow-up
        4
        ·
        6 个月前

        Other Hollywood unions need to bust the studios’ balls about this. It’s the same shit they went through - and it ends the same way.